Information about our schools Tai Chi Chuan.
Cheng Tin-hung was born in the village of San Xiang in Guangdong Province in 1930. He learned Tai Chi Chuan from his uncle Cheng Wing-kwong initially and then from Qi Min-xuan.
In 1950 Cheng Tin-hung became a full time Tai Chi Chuan instructor in Hong Kong at a time when many famous teachers were active in Hong Kong. The competition included Yang Sau-chung, Wu Kung-yi, Tung Ying-jie and Cheng Wing-kwong, his own uncle.
He trained Full-contact fighters who more often than not smashed their hard style Kung-Fu opponents to defeat. He trained teachers to train teachers. He was known in his younger days as the Tai Chi Bodyguard because he would stand up for Tai Chi practitioners everywhere with fist or weapon. He has written four books on Tai Chi Chuan.
Dan Docherty was born in Glasgow, Scotland, in 1954. He graduated LL.B in 1974. He served as an inspector in the Royal Hong Kong Police Force from 1975 - 84. He has been training in Tai Chi Chuan under Cheng Tin-hung since 1975.He has represented Hong Kong in Full-contact Fighting, in 1980 winning the Open Weight Division at the 5th South East Asian Chinese Pugilistic Championships in Malaysia. In 1985 he was awarded a Postgraduate Diploma in Chinese from Ealing College, London.
He is based in London and travels extensively teaching and writing about Tai Chi Chuan.
Cheng Tin-hung was born in the village of San Xiang in Guangdong Province in 1930. He learned Tai Chi Chuan from his uncle Cheng Wing-kwong initially and then from Qi Min-xuan.
In 1950 Cheng Tin-hung became a full time Tai Chi Chuan instructor in Hong Kong at a time when many famous teachers were active in Hong Kong. The competition included Yang Sau-chung, Wu Kung-yi, Tung Ying-jie and Cheng Wing-kwong, his own uncle.
He trained Full-contact fighters who more often than not smashed their hard style Kung-Fu opponents to defeat. He trained teachers to train teachers. He was known in his younger days as the Tai Chi Bodyguard because he would stand up for Tai Chi practitioners everywhere with fist or weapon. He has written four books on Tai Chi Chuan.
Dan Docherty was born in Glasgow, Scotland, in 1954. He graduated LL.B in 1974. He served as an inspector in the Royal Hong Kong Police Force from 1975 - 84. He has been training in Tai Chi Chuan under Cheng Tin-hung since 1975.He has represented Hong Kong in Full-contact Fighting, in 1980 winning the Open Weight Division at the 5th South East Asian Chinese Pugilistic Championships in Malaysia. In 1985 he was awarded a Postgraduate Diploma in Chinese from Ealing College, London.
He is based in London and travels extensively teaching and writing about Tai Chi Chuan.
Tranquillity of Motion
by Cheng Tin-Hung and Dan Docherty
One of the main reasons for practicing the Tai Chi Hand form slowly, avoiding the application of brute force, is that we can harmonise our thoughts and actions by moving in a smooth and relaxed manner.
The Taoists said `seek tranquility in motion'. This means that the slowness of our physical movements when practicing Tai Chi Chuan results in peace of mind which enables us to concentrate on performing the exercise to the exclusion of outside distractions. Soft slow practice reduces tension and increases concentration. Thus, over a period of time our physical and mental health will improve.
If we are suddenly attacked, we must be able to react swiftly to prevent our opponent from completing his assault. This ability to react swiftly depends upon our body remaining relaxed in such a situation. By constant, soft, slow practice we can make our muscles and tendons relaxed. This will allow our joints to rotate smoothly, making us swift and agile in defence and counter-attack.
Lao Tzu said `The unbending breaks, the yielding survives'. Our softness allows us to yield before even the strongest attack. But just as the bamboo which has bent before the wind swings back when the wind has ceased, so too our defence must change to attack at the right moment.
There is no set length of time for practicing the Hand Form from the beginning to end. The young tend to exercise a little faster than the old, but fifteen minutes is about right.
by Cheng Tin-Hung and Dan Docherty
One of the main reasons for practicing the Tai Chi Hand form slowly, avoiding the application of brute force, is that we can harmonise our thoughts and actions by moving in a smooth and relaxed manner.
The Taoists said `seek tranquility in motion'. This means that the slowness of our physical movements when practicing Tai Chi Chuan results in peace of mind which enables us to concentrate on performing the exercise to the exclusion of outside distractions. Soft slow practice reduces tension and increases concentration. Thus, over a period of time our physical and mental health will improve.
If we are suddenly attacked, we must be able to react swiftly to prevent our opponent from completing his assault. This ability to react swiftly depends upon our body remaining relaxed in such a situation. By constant, soft, slow practice we can make our muscles and tendons relaxed. This will allow our joints to rotate smoothly, making us swift and agile in defence and counter-attack.
Lao Tzu said `The unbending breaks, the yielding survives'. Our softness allows us to yield before even the strongest attack. But just as the bamboo which has bent before the wind swings back when the wind has ceased, so too our defence must change to attack at the right moment.
There is no set length of time for practicing the Hand Form from the beginning to end. The young tend to exercise a little faster than the old, but fifteen minutes is about right.
The Method of Practice
by Cheng Tin-Hung and Dan Docherty
In order to derive maximum benefit from the practice of Tai Chi Chuan, we must first learn the correct method of practicing. The execution of each movement requires patient concentration.
Before beginning we must first relax and think of nothing else. Our movements should be slow and we should breath naturally. We must avoid tension. If we can do this our every action will become smooth and easy, our waist will turn freely and we will feel relaxed and comfortable.
Tai Chi Chuan is an exercise which aims at producing harmony of body and mind. To achieve this and to avoid the application of brute force, we must let our thoughts guide our actions. Constant practice can make this a habit with us. It is not enough to concentrate on the correct slow execution of individual movements such as raising and lowering the hands.
Both our concentration and our movements must continue in harmony throughout the form. This will make our breathing deeper and help strengthen our body.
by Cheng Tin-Hung and Dan Docherty
In order to derive maximum benefit from the practice of Tai Chi Chuan, we must first learn the correct method of practicing. The execution of each movement requires patient concentration.
Before beginning we must first relax and think of nothing else. Our movements should be slow and we should breath naturally. We must avoid tension. If we can do this our every action will become smooth and easy, our waist will turn freely and we will feel relaxed and comfortable.
Tai Chi Chuan is an exercise which aims at producing harmony of body and mind. To achieve this and to avoid the application of brute force, we must let our thoughts guide our actions. Constant practice can make this a habit with us. It is not enough to concentrate on the correct slow execution of individual movements such as raising and lowering the hands.
Both our concentration and our movements must continue in harmony throughout the form. This will make our breathing deeper and help strengthen our body.
General Principles
At first it is difficult for a beginner to judge whether the styles and individual movements he performs are correct or not. In some cases beginners will find styles which are particularly difficult for them to master. However, there are some general principles to be understood and adopted which will help produce correct styles and movements:-
1. Throughout the movements our head should remain in line with our spinal column and not move up and down If we can do this our neck muscles will become relaxed;
2. We should not hunch our shoulders or fully straighten our arms when we extend them. When we retract our arms, the elbows should be kept close to the body and not allowed to jut out at all angles. We must keep our arms and shoulders relaxed in order to move smoothly. If we fail to do so our movements will be stiff and awkward;
3. We must relax our whole body and avoid stiffening the chest. If we can do this our breathing will become deep and natural and our movements alert;
4. If our waist is stiff and tense we will find it difficult to move in any direction and our co-ordination will be affected as we will be unable to transmit power from the waist to the actions of our arms and hands. If the waist is stiff, our bottom will jut out, making our balance unstable and preventing our movements from being graceful. Relaxation of the waist is essential;
5. With certain exceptions, most postures in the Hand Form require us to rest most of our weight on one leg, making it easy to move the other leg to change posture, and to shift the weight from one leg to the other as we practice. The photographs of the form should be studied carefully so that we get this balance right and are able to move freely
At first it is difficult for a beginner to judge whether the styles and individual movements he performs are correct or not. In some cases beginners will find styles which are particularly difficult for them to master. However, there are some general principles to be understood and adopted which will help produce correct styles and movements:-
1. Throughout the movements our head should remain in line with our spinal column and not move up and down If we can do this our neck muscles will become relaxed;
2. We should not hunch our shoulders or fully straighten our arms when we extend them. When we retract our arms, the elbows should be kept close to the body and not allowed to jut out at all angles. We must keep our arms and shoulders relaxed in order to move smoothly. If we fail to do so our movements will be stiff and awkward;
3. We must relax our whole body and avoid stiffening the chest. If we can do this our breathing will become deep and natural and our movements alert;
4. If our waist is stiff and tense we will find it difficult to move in any direction and our co-ordination will be affected as we will be unable to transmit power from the waist to the actions of our arms and hands. If the waist is stiff, our bottom will jut out, making our balance unstable and preventing our movements from being graceful. Relaxation of the waist is essential;
5. With certain exceptions, most postures in the Hand Form require us to rest most of our weight on one leg, making it easy to move the other leg to change posture, and to shift the weight from one leg to the other as we practice. The photographs of the form should be studied carefully so that we get this balance right and are able to move freely
Advice for the Future:
1. Try to practice daily to derive maximum benefit from the art;
2. Watch the instructor when he is teaching others and watch others perform so that by comparing techniques, good points can be adopted and bad ones corrected;
3. Think about and analyse the styles after learning them properly;
4. Ask the instructor questions about the styles to clear up any doubts or ambiguities.
1. Try to practice daily to derive maximum benefit from the art;
2. Watch the instructor when he is teaching others and watch others perform so that by comparing techniques, good points can be adopted and bad ones corrected;
3. Think about and analyse the styles after learning them properly;
4. Ask the instructor questions about the styles to clear up any doubts or ambiguities.
